My three year old has a habit of crawling into bed with us around 4 a.m. I confess, it's a habit that I have not put much effort into breaking (and I know better - I do). It's just too easy to lift her up, throw her into the middle of the bed beside me and snuggle her back to sleep. And she's three - soft and warm like the Snuggle Bear - and most days, she smells good. She will wake from her sleep, wander out of her night-lighted bedroom, through the dark hallway, through the living room, and all the way up the stairway into our bedroom. She will tell me that it's because she was afraid of the dark, yet she will venture out into it, through the dark house, bravely, to seek comfort, to at least no longer lie in it alone. Sometimes, I wonder if she actually does wake from her sleep or if she does it all out of some instinctual half-wake/halk-sleep state. We have a set of beads that hang from the doorway into our room (we bought them at a yard sale back when Matt and I wanted to give the room a sexy jungle theme), and she will get down on her belly and wiggle under the beads so that she might slip into the room silently. I've caught her doing it once or twice - and then, well, I just HAVE to snuggle up with her. She's obviously a genius - all half-asleep and considerate. Or adorably sneaky.
This morning, she woke me up at 7:30 a.m., insisting that we come downstairs to look for her daddy (despite how many times I told her that he had already gone to work). The little stinker gets me down here, and I go to pee and make coffee. When I return, ready to turn on Tom & Jerry or Sesame Street, I find that she has curled up on the couch under the afghan and has drifted back to sleep. She's softly sawing toddler logs. So now, up earlier than I had planned to be, I feel I have to be productive with all of this quiet time. So I'll babble on my blog, check my e-mail three times, check facebook, etc . . . Call me Dodger.
I received a response in the same day that I sent my submission - last night. Quick for a rejection, eh? I have never responded to my submitters for CRT ever so quickly. The editors for the mag told me they would pass - that although the story had some "beautiful moments" it was not "conceptually tight." So I've thought about this - Hard. I googled the terms "conceptually tight" last night (which didn't work really, but I was desperate and sleepy and caught up in that twisted sting of rejection), and I still laid in bed awake for an hour thinking about it before falling asleep.
So said concept is not a "tight" concept. "Tight" as in "cool", or "tight" as in "precise"? Here are the words they used - what they got as the "concept" - "the portrait of a senile man going 'bye bye' in the head (or whatever)" . . . The concept that I was attempting to portray wasn't quite this simple . . . was it? Maybe the title screwed it up . . . No, I'm thinking "tight" as in "cool" was a main issue. Bud wasn't cool enough, and I can understand this. I should've had him murder his wife before he left . . . or had him utter the word "fuck" a few times at least (like that would've fixed everything). The story was too peaceful and needed more darkness. I know darkness. Maybe I'm pretending otherwise. Therapist?
Truth is, I don't think I write "stories" well - I do better with "moments." I think this makes me more of a poet (maybe?). I was never good at direction or claiming a singular title (except for maybe "mother" - and, even that one has been tricky over the years - all 17 of them). Good at lots of things - Expert at nothing. My lame claim of the century. Seriously, conflict with direction towards a climax presents itself to me as evasive (which is probably why my stringy, pointless confessional blog has so few readers).
I saw Deb Marquart's piece about her abortion on Brevity and I read it. Slowly. Twice. It's an excerpt from her novel. It's straight up - follows a few of these mysterious "rules" that have irked and evaded me, and abortion, I suppose, is always a "tight" concept. Still, I'm not sure if I want to (or can) write this way and manage to get anything published . . . I wonder how long the scene - the string of moments - must have festered as a dark memory before becoming a "story." I wonder if I just shouldn't say fuck it and go back to playing with artsy collage (I have all of those old Life magazines stacked by the toilet) . . . Perhaps, I'm a big chicken, and I would rather keep dodging the "darkness" (just stay in my little room alone with the closet's light on) might things get really scary.














